A 4 page paper
which examines how the works of Irving, Poe, and Hawthorne offer a perfect world that
somehow dismisses women through silence, death, or some other way. The works
discussed are Irving’s “Rip Van Winkle” and “Sleepy Hollow,” Poe’s “Ligeia” and
“To--Ulalume,” and Hawthorne’s “The Birthmark” and “Young Goodman Brown.” No
additional sources cited.