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Essay / Research Paper Abstract
(8pp) examines prominent leaders and movements
within a segment of African American literature.
Time frame begins with the Abolitionist Movement,
includes Larsen's …Tragic Mulatto, and concludes
with the Harlem Renaissance. Bibliography lists 8
sources.
Page Count:
8 pages (~225 words per page)
File: D0_BBblklit.doc
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Unformatted sample text from the term paper:
him sing!
(from "Yet Do I Marvel" by Countee Cullen) Written by for the Paperstore,
Inc., June 2000 1. A. Discourse Although discourse is traditionally considered a serious delineation, the 1892 autobiography
of Frederick Douglass states: "The heart of no fox or deer, with hungry hounds on his trail, in full chase, could have beaten more anxiously than did mine from
the time I left Baltimore till I reached Philadelphia." Our question then becomes, can humor be considered a strand of discourse? It is a sophisticated element of Douglass
approach to discourse (George ppg), that appears to lighten a serious subject, but actually underscores his message:. He told a story of a white woman at a revival who claimed
to have visited heaven in a trance. Asked "if she saw any black folks in heaven," she replied after some hesitation, "Oh! I didnt go into the kitchen." Rhetoric -
as used in Sojourner Truths Aint I a Woman, becomes a persuasive technique which unites all women regardless of their color (also discussed in section concerning Truth) Ideology- The basic
abolitionist views are prevalent in all of their speeches - some more subtle or sophisticated than others. The set of beliefs exemplified in the South is described in the
following text concerning stereotypes. The counters to such historic distortions can be seen in the speeches of Douglass as well as the radical presentation of Walker. The
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