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8 pages in length. Woody Allen has a long and illustrious movie making history of tapping into the insecurities harbored by every human being. The myriad psychoses and emotional traumas his characters typical experience speak to the way in which people are forced to deal – and often not deal – with the struggles of everyday life. One might even surmise that, upon reviewing Allen's entire filmography, that many of his filmatic creations parallel points in the writer/director's own life, serving to help him sort through issues he was forced to face as an everyday, normal human being. Bibliography lists 5 sources.
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which people are forced to deal - and often not deal - with the struggles of everyday life. One might even surmise that, upon reviewing Allens entire filmography, that
many of his filmatic creations parallel points in the writer/directors own life, serving to help him sort through issues he was forced to face as an everyday - if not
neurotic - human being. "That shock of red hair, the puppy-dog eyes, those black-rimmed glasses...theres no question that Woody Allen has obsessed himself thoroughly into our lives" (Steffens, 1994,
p. 80). II. LOVE - THE UNATTAINABLE QUEST Allens irascible tongue-in-cheek style mocks the very foundation upon which contemporary society is built. In his 1971 hit Bananas, Allen
satirizes the ever-difficult male/female alliance by illustrating how women often overlook perfectly acceptable - if not ordinary - men in exchange for those they deem more worldly and exciting.
Taken from what one might consider to be a page of his own personal attempts at wooing the opposite sex, Allen realizes that women want more than what he can
offer in the way of social status; as such, he seeks to remedy the situation by fleeing to a foreign country, ultimately becoming its ruler and padding back to America
in search of the woman who scorned his advances when he was nothing more than a lowly consumer products tester. When she finds out he has metamorphosed into a
great political leader, her opinion of him immediately changes, and he wholly enamors her. Fielding Mellish: Youre busy tonight? Norma: Some old friends are coming over. Were gonna show
some pornographic movies. Fielding Mellish: You need an usher? (Allen, 1971, p. PG). Ditsy and neurotic are two call words for Allens most memorable works, inasmuch as his characters
...