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Essay / Research Paper Abstract
This 5 page report discusses movie director/writer/actor Woody Allen, it has often appeared that Allen has had an on-again-off-again in terms of his attitudes and relationships about women. In one movie he may adore the quirky neurosis of Diane Keaton in the title role of “Annie Hall,” in another he may seem to be celebrating his own neurosis with an audience of an admiring 17 year-old as he did in “Manhattan.” Regardless of the setting, even the surrealistic realm of “The Purple Rose of Cairo” or “Bullets over Broadway,” Woody Allen is always bewildered by women. Bibliography lists 2 sources.
Page Count:
5 pages (~225 words per page)
File: D0_BWwwoody.rtf
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Unformatted sample text from the term paper:
an on-again-off-again in terms of his attitudes and relationships about women. In one movie he may adore the quirky neurosis of Diane Keaton in the title role of "Annie
Hall," in another he may seem to be celebrating his own neurosis with an audience of an admiring 17 year-old as he did in "Manhattan." Regardless of the setting,
even the surrealistic realm of "The Purple Rose of Cairo" or "Bullets over Broadway," Woody Allen is always bewildered by women. His character is confused and unsure and the storyline
and action of the movie would suggest that as a director, he has similar "issues" with women. Furthermore, it is remarkably difficult to separate the artist who has created some
of the 20th centurys funniest and most interesting movies with the man who married a woman who had been raised as his daughter. Once again, it has to be said,
and the student working on this project will want to acknowledge that Woody Allen "has issues" with and about women. "Annie Hall" Woody Allen had always enjoyed a popular following
with his movies such as "Bananas" (1971), "Sleeper" (1973), "Everything You Ever Wanted to Know about Sex" (1972), and "Love and Death" (1975) but in the 1977 movie "Annie Hall"
he was truly embraced and celebrated by the mainstream public. In many ways, it was "Annie Hall" that was loved by so many that allowed him his eccentricities as presented
in many (perhaps most) of his subsequent movies. Rose (1985) points out that: "In his early, nutty films Allens triumph -- and appeal -- lay in his sanity. ...
He was a great believer in sweet reason, though never particularly surprised when it proved ineffective" (pp. 94). By the time he created "Annie Hall" his appeal was that sanity
...