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Williams, Melville, and Jackson

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Essay / Research Paper Abstract

A 3 page paper which examines three aspects of three stories. The stories are “The Glass Menagerie” by Tennessee Williams, “Bartleby the Scrivener” by Herman Melville, and “The Lottery” by Shirley Jackson. No additional sources cited.

Page Count:

3 pages (~225 words per page)

File: JR7_RAglss10.rtf

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Unformatted sample text from the term paper:

the reader/viewer think. There are perspectives that concern a subtle plot, the point of perspective of a narrator, or the manner in which environments are set up or described. The following paper examines three aspects of three stories. The stories are "The Glass Menagerie" by Tennessee Williams, "Bartleby the Scrivener" by Herman Melville, and "The Lottery" by Shirley Jackson. Williams In Williams play there is not so much a "screen projection" as there would be in a film, especially considering that many different people have produced this play and altered one perspective or another. But, what really stands out in Williams play, in terms of the environment, is the trap that seems to be their apartment. The play never leaves the apartment except to take the viewer to the fire escape. The fire escape is apparently their only real way in or out of the apartment for the door seems to be unused. That offers the viewer a very subtle and perhaps subconscious look at how trapped the family is within this apartment. It is a dingy apartment that leads the characters nowhere. They may speak of going places, like the movies or the library or to some class, but they never leave in any obvious manner. This offers a very powerful image of the lives these people live trapped in a tiny apartment and in their individual lives. Melville The narrator of this particular story about Bartleby is a lawyer and as such presents himself as something of an objective, as well as socially powerfully and compliant, individual. As the story progresses the narrator seems to gain more and more sympathy for Bartleby as he removes himself from the objective and truly begins to think about Bartleby and ...

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