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Essay / Research Paper Abstract
5 pages in length. In the comedies, appearances and reality are manipulated for comic effect; in "Othello," the audience is presented with the tragic implications of being in a world where appearances are at odds with reality. One can readily surmise that this aspect is particularly apparent, inasmuch as Iago is a villain who only appears to be 'honest,' while Othello is a trusting sort who believes that men are intrinsically honest even if they seem not to be so. The writer discusses how this reciprocation of actual characteristics lends to the audience's enjoyment as social and political hypocrisy is presented in a most outwardly entertaining manner. No additional sources cited.
Page Count:
5 pages (~225 words per page)
File: LM1_TLCothll.doc
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Unformatted sample text from the term paper:
being in a world where appearances are at odds with reality. One can readily surmise that this aspect is particularly apparent, inasmuch as Iago is a villain who only
appears to be honest, while Othello is a trusting sort who believes that men are intrinsically honest even if they seem not to be so. This reciprocation of actual
characteristics lends to the audiences enjoyment as social and political hypocrisy is presented in a most outwardly entertaining manner. As the noble hero
and protagonist, Othello is forced to come face to face with what the audience perceives to be his own shortcomings, which ultimately cast upon him the tragic flaw that eventually
led to his downfall. Facing opposition from within his own being was part of the contradictory component of appearance and reality that Othello addresses throughout the play, wavering back
and forth as a means by which to establish the self-knowledge that continued to evade him. The fate that governs his life also controlled the actions associated with his
aristocratic existence; being both brave and courtly, Othello is compelled to exemplify that of an upstanding social ambassador even though he is fighting against a part of him that exists
only as a representation of misconstrued appearance. As time progresses, Othello - quite arguably the only character with a stellar sense of morality - learns that he, too, possesses
a significant flaw and ultimately succumbs to the burdens of emotion that fate had already provided for him. This is particularly comical in that Othello is the last person
the audience would ever perceive to realistically have any flaws. True to form, Othellos predicament presents him as being weak, which of course he is not when compared with
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