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Essay / Research Paper Abstract
This 19 page paper summarizes chapters from William Curtis's text Modern Architecture Since 1900. No additional sources are cited.
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19 pages (~225 words per page)
File: KL9_khchapters.doc
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techniques associated with the past, but also their forms. This factor in the Art Nouveau trend established it as first stage in the development of modern architecture. While Art Nouveau
rejected historicism, it is impossible to reject tradition complete, as new forms must rely, at least in some degree, on previous ones. However, Art Nouveau was a strong reaction against
the Beaux-Arts classicism of the 1870s and 80s. The most creative phase of Art Nouveau was from 1893 to 1905, as the new trend introduced light and airy forms
that were made possible by glass and metal construction that were inspired by nature, such as metal structures were expressed, which frequently included ornamentation that resembles the tendrils of living
vegetation. Architects endeavored to harmonize their work with the elements that reflected the natural environment. With this context, artists made use of new materials and machined surfaces, as well as
abstraction, utilizing a variety of technological innovations that came about during the late 19th century. Art Nouveau reflected the perceived nature of the material world through the use of
beautiful decorative art and luxury items that utilized rare and exotic materials, and demonstrated a high degree of craftsmanship and artistic skill. On the other hand, Art Nouveau also encompassed
the suppression of these features, as both materials and decoration were sometimes subjugated to the goals of presenting united art and architecture within the boundaries established by new forms.
This can be seen in work of Antoni Gaudi who infused his architectural style with elaborate symbolism that derives from the Gothic revival movement. Gaudis interior space became virtually ecclesiastical
in their nature, using an abstraction of medieval forms with facades that were elaborately ornamented. The richness of Gaudis style derives from the way that he reconciles the fantastic with
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