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Essay / Research Paper Abstract
A 3 page paper which examines what or who men are as seen in Arthur Miller’s “A View from the Bridge” and Elia Kazan’s film “On the Waterfront.” Bibliography lists 2 sources.
Page Count:
3 pages (~225 words per page)
File: JR7_RAmenz.rtf
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Unformatted sample text from the term paper:
in literature and film and art. Men can be seen as lost individuals in a society where they seem unable to win in any respect. They can be represented as
noble figures struggling against all odds, regardless of level of failure. They can be seen as people who are selfish and out for only their own interests. The following paper
examines what or who men are in "A View from the Bridge" by Arthur Miller and the film "On the Waterfront" Elia Kazan. What Are Men? Miller and Kazan
In both of these stories there is the timeless sense that men fight for what they think is right, while other men succumb to whatever necessary to survive. In "On
the Waterfront," for example, most of the male characters in the story sit back knowing that wrong is being done. They know they are essentially powerless to do anything. Or
they believe they are powerless. The story revolves around union bosses who control the dockworkers. They are oppressed and used and they feel powerless to do anything. There motto could
well be summed up in the words of Terry who, prior to becoming a noble fighter in the end, states, "I dont know nothin, I aint seen nothin, Im not
sayin nothin" (Greatest Films). In these respects the audience is presented with men who possess power and immorally take advantage of other men, doing whatever necessary for selfish means.
There are also many men who, because they need to work to provide for their family, are apparently weak and cowardly. But, within this story comes the moral of how
a real man will risk all in order to do what is right, to demonstrate that men are inherently noble and honorable creatures. In Millers play the primary man
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