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Essay / Research Paper Abstract
A 5 page paper that looks at the development of Walt Disney as an animator and as a focus in the animation industry. Since his beginnings in animation in 1919, Walt Disney always demonstrated his skills as an animator, developing his skills from animation techniques created by others. But Walt Disney's greatest contribution to the industry was his organizational skills, his eye for detail, and his animation process that he developed for other animators. Bibliography lists 5 sources.
Page Count:
5 pages (~225 words per page)
File: D0_Waltdisn.doc
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Unformatted sample text from the term paper:
his creations were good, but did little in the way of revolutionizing animation. Disney began animating during the era of silent cartoons and created very consistent characters that fit
into the popular cartoon formulas of the time (Merritt 15). But Disney worked diligently to hone his craft, create with other animators, and build an animation empire based on
basic principles of creation and design. Disney was an avid artist, who drew constantly during his childhood, developing characters with personal appeal. His first job did much
to increase his skill and push him into the industry. He began as an apprentice with Presmen-Rubin Commercial Art Studio, were he created rough sketches and cartoons for print
advertising. It was at this job that he met his soon-to-be partner, Iwwerks. The two opened their first studio together in 1919 (Solomon 37). Disney and Iwwerks
studied the creations of other animators, and taught themselves a basic understanding of the requirements of animation utilizing texts by Lutz on technique and Muybridges study of the movements of
both humans and animals (Solomon 38). Clearly, Iwwerks skills as an animator out-shone young Disney. While Iwwerks drawings were more accurate, more creative, and had more personality, Disneys
were limited, motionless, and sometimes flat. Disney followed Iwwerks, constantly relating to his work for ideas and inspiration. Disneys forte in animation came in the planning stages.
His short films were competent creations, but they did not fair well in comparison to Felix the Cat and Ko-Ko the Clown, very popular characters of 1920s animation.
Instead, Disneys first film, Oswald Rabbit, was rather limited in scope and lacked an understanding of motion and personality. Oswald also bore an uncomfortable resemblance to Felix, as did
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