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Essay / Research Paper Abstract
9 pages in length. The extent to which cultural developments in science, psychoanalysis and technology influenced visual art from mid-19th to mid-20th century is both grand and far-reaching; that American pop art reflects an abundance of these changes speaks to "the proliferation of advertising and images of mass culture in the visual environment" (Pop Art). Myriad contributions were made during this pivotal period from a multitude of artists in every genre, illustrating the depth to which this transitional time had upon virtually every element of television, music, comics, politics, technology and literature. Bibliography lists 9 sources.
Page Count:
9 pages (~225 words per page)
File: LM1_TLCVisualArt.rtf
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grand and far-reaching; that American pop art reflects an abundance of these changes speaks to "the proliferation of advertising and images of mass culture in the visual environment."1 Myriad
contributions were made during this pivotal period from a multitude of artists in every genre, illustrating the depth to which this transitional time had upon virtually every element of television,
music, comics, politics, technology and literature. II. CHANGES ABOUND This era of postmodern thought was the breaking free of certain social, political
and economic strangulation that decreed all followers must abide by the same doctrines. Postmodernisms discursive system was a reaction to and critique of modernism, with particular emphasis upon modernisms
elitist social, political and economic structure of upper and lower classification. The influence of modernisms political and aesthetic projects of resistance and revolution, recooperation and universalism all played an
integral role within the ultimate rise of the post-modernism movement, which encompassed the broad and far-reaching aspects of art, architecture, music, film, literature, sociology, politics, communications, fashion, and technology.2
The Enlightenment was one of the central tasks by which major thinkers of the late nineteenth and early twentieth centuries established themselves. What
this means in terms of how those great philosophers looked at the broader scope of existence lies within the works of such celebrated thinkers as Sigmund Freud and Friedrich Nietzsche.
Both men embraced and critiqued the Enlightenment, recognizing it as a time in which all of mankind could break free from the confines of what had heretofore been accepted
as a universal recognition of existence; with each individual following in the footsteps of those who went before, without any question as to why things are accomplished in any certain
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