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Essay / Research Paper Abstract
5 pages in length. The writer briefly discusses personal histories and specific works of these three artists. Bibliography lists 6 sources.
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5 pages (~225 words per page)
File: LM1_TLCRaphael.rtf
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balanced form with the deep meaning of his paintings, was no only successful at removing the element of chance - a genre painting trait that was heretofore considered quite consequential
- but he also put forth such a sense of presence that the "wealth of feeling radiating from them creates a thoroughly poetic atmosphere" (Kunsthistorisches Museum Vienna, 2004). One
of Vermeer tricks of the trade that placed him above myriad others of the time was the application of optical components like an aperture camera, which served to help gain
a significantly better understanding of the scenes still-life character by splashing the image onto a flat surface (Kunsthistorisches Museum Vienna, 2004). "Vermeer, who begun to produce his genre paintings
in the late 1650s, could not have embarked upon a career in this specialty at a more auspicious moment. The Dutch economy virtually exploded with the cessation of hostilities
with Spain in 1648; indeed, the nations economy would reach its apogee within a few short years after that event" (Franits, 2001, p. 2). Light and shadow play an
integral part in the awe-inspiring effect of Vermeers The Painter and His Model as Klio. It is amazing how the most minute detail is attended to with respect to
the intricacies of the human form. Light is the primary separation that exists between two-dimensional and three-dimensional painting. Vermeers influence helped the world to understand this relationship through
his artistic masterpiece, serving to stimulate the inherent connection that exists between flat surfaces and tangible formation. One particular point of interest demonstrates precisely how the beauty of the
draped cloth magically disappears within the folds of shadows, only to reappear once more as the light becomes more intense toward Klio. This particular image encourages the observer to
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