Here is the synopsis of our sample research paper on "Triumph Of The Will" And "Anne Frank Remembered": Compare/Contrast. Have the paper e-mailed to you 24/7/365.
Essay / Research Paper Abstract
6 pages in length. The distinction between narrative and fiction is that narrative is derived from reality, whereas fiction is born of someone's imagination. That is not to say that either one presents a better form of documentary than the other, but rather to recognize that one's foundations is based in truth, while the other comes from the imaginative process. An example of a narrative documentary, "Triumph of the Will" might be construed as any one of various historical accounts where the information possesses a factual background, while "Anne Frank Remembered" represents a narrative where there is no assault upon the subject's integrity. War, nature, biographies -- these all represent a narrative in that they document reality, yet based upon the criteria found in Dai Vaughn's "For Documentary: Twelve Essays," Riefenstahl's account bears a significant obstacle in capturing absolute truth when compared with Blair's personal chronicle of Anne Frank's struggle against Nazi invasion. Bibliography lists 4 sources.
Page Count:
6 pages (~225 words per page)
File: LM1_TLCTriWl.rtf
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Unformatted sample text from the term paper:
not to say that either one presents a better form of documentary than the other, but rather to recognize that ones foundations is based in truth, while the other comes
from the imaginative process. An example of a narrative documentary, Triumph of the Will might be construed as any one of various historical accounts where the information possesses a
factual background, while Anne Frank Remembered represents a narrative where there is no assault upon the subjects integrity. War, nature, biographies -- these all represent a narrative in that
they document reality, yet based upon the criteria found in Dai Vaughns For Documentary: Twelve Essays, Riefenstahls account bears a significant obstacle in capturing absolute truth when compared with Blairs
personal chronicle of Anne Franks struggle against Nazi invasion. Documentaries are often assumed to be objective renderings of reality, yet they invariably offer
a specific point of view. This point is clearly illustrated in Riefenstahls film Triumph of the Will, one of the most morally and legally controversial documentaries ever made.
Chronicling the 1934 session of Nazi Party Congress, Triumph of the Will has long been interpreted as propaganda for Hitlers reign, which caused it to be banned for more than
three decades. Riefenstahl, who was commissioned by Hitler to cover the events, captured such power and intimidation that her film was feared by all who experienced it, inasmuch as
it presented myriad issues that could not easily be dismissed. For example, was Triumph of the Will truly Nazi propaganda or rather a propaganda film given life by a
non-Nazi woman? Indeed, the line was thin with regard to the underlying objective, an element that more than angered hierarchical Nazi propagandists. "Do we not see here that
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