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Essay / Research Paper Abstract
A 5 page discussion of the importance of traditional Indian dance. The author emphasizes that art in general, and dance specifically, is an evolving phenomena. It is one offering tremendous value to contemporary women, however, in that it offers them connection to their own culture as well as inner strength facilitating communication with other cultures. Bibliography lists 9 sources.
Page Count:
5 pages (~225 words per page)
File: AM2_PPindDnc.rtf
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in the world. The countrys massive territorial holdings coupled with the fact that she claims honor as being the birthplace of three of the worlds largest religions, Hinduism, Buddhism,
and Jainism, make her artistic accomplishments particularly diverse and awe inspiring (Dehejia, 1998). Her art even precedes the arrival of the countrys sophisticated civilizations, some of which date back
over four-thousand years in time (Dehejia, 1998). Dance is no exception. Indeed, dance often represents one of the most rudimentary aspects of traditional cultures. Such is the
case with classical Indian Dance. Classical Indian dance can, in fact, be viewed as being embedded in the ethos of ancient Indian culture, in its myths and philosophy.
At the same time classic Indian dance is regarded by some as a critical component of contemporary Indian womens expression. Indeed, dance is produced in a phenomenological framework where
the meaning is created by the viewer, a window into the creators unconscious only if there is cross-cultural communication. For such communication to occur dance must be brought out
of the past and into the present. That process can serve to strengthen Indian womens tradition, not weaken it. Dance comprises one
of Indias most important art forms, art forms which have been in existence for thousands of years. While classic dance represents a long standing tradition in India, its interpretation
and function is evolving as well. There is now considerable blending of classical Indian solo art forms and more modern influences (Lefevre, 1996). Much of this blending involves
an evolution in Indian music itself. Bharata natyam, for example, is a two-thousand year old classical dance form of south India (Lefevre, 1996). Lefevre (1996) defines bharata natyam
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