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Essay / Research Paper Abstract
5 pages in length. The lifelike bust that Thutmose sculpted of Queen Nefertiti marked a time in Egyptian art history when the human form took on a true appeal. Subsequent to this significant transitional period, physical features were less than flattering, with necks typically over exaggerated and other characteristics working to draw away from the human form rather than towards it. Housed in the Ägyptisches Museum und Papyrussammlung in Berlin, the sculptor of Nefertiti’s beautiful bust is said to have set a precedent that continued to progress throughout the artistic world. Bibliography lists 2 sources.
Page Count:
5 pages (~225 words per page)
File: LM1_TLCNefrt.rtf
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Unformatted sample text from the term paper:
less than flattering, with necks typically over exaggerated and other characteristics working to draw away from the human form rather than towards it. Housed in the ?gyptisches Museum und
Papyrussammlung in Berlin, the sculptor of Nefertitis beautiful bust is said to have set a precedent that continued to progress throughout the artistic world. It was not unusual for Thutmose
- an artiste extraordinaire from the 18th Dynasty - to choose a Queen as the focus of his artistic endeavor, inasmuch as royalty was a much sought after commodity when
it came to fine art. Thutmose employed the use of limestone in order to sculpt Nefertiti so that the bust would reflect her true beauty, which survived under a
sea of sand until German excavators rediscovered it in 1912. The social, political and economical impact of 18th Dynasty art was vast and
encompassing. The world, at that time, was changing in leaps and bounds, and those of the artistic circles were not to be left behind as clearly illustrated in Thutmoses
Nefertiti bust. What became the most important aspect of Egyptian art was the overwhelming interest in life over and above the somber preoccupation with death that had existed for
so long. The expressive nature that resulted from such a drastic turnabout proved to modify the typical attitude towards human depiction, with Thutmose and other artists of the period
focusing upon animated presence. Size no longer reflected importance, as vivaciousness and a physical complexity represented the new approach. Thutmose possessed an incredible talent for capturing the accuracy of
human facial and cranial features, which is why his bust of Nefertiti is so much more delicate than any other that came before his. Known as "composite statuary," Thutmoses
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