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Essay / Research Paper Abstract
10 pages in length. Thomas Gainsborough, one of the most revered and respected English painters whose works include Charles Crokatt, William Keeble and Peter Darnal Muilman in a landscape; Portrait of Abel Moysey M.P.; Wooded Landscape with Cattle by a Pool; Landscape with a Farm; Peasants going to Market; A Study for Diana and Acteon; Study of a Rustic; 'The Suffolk Plough'; The Blue Boy; and Peasant reading a Tombstone, was considered "one of the most individual geniuses in British art" (Gainsborough, Thomas). The artist's entire collection numbers more than seven hundred pieces, with portraitures representing more than two hundred of them. The writer discusses the artist's life, works and influences. Bibliography lists 6 sources.
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10 pages (~225 words per page)
File: LM1_TLCGains.rtf
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Unformatted sample text from the term paper:
Abel Moysey M.P.; Wooded Landscape with Cattle by a Pool; Landscape with a Farm; Peasants going to Market; A Study for Diana and Acteon; Study of a Rustic; The Suffolk
Plough; The Blue Boy; and Peasant reading a Tombstone, was considered to be "one of the most individual geniuses in British art" (Gainsborough, Thomas). The artists vastly comprehensive collection
numbers more than seven hundred pieces, with portraitures representing more than two hundred of the entire lot (Thomas Gainsborough). Sudbury, Soffolk was Gainsboroughs birthplace, from which he traveled to London
about 1740 only to return again in 1748. Established as a portrait painter in 1752 Ipswitch, Gainsborough focused primarily upon heads and half-length; however, he was not adverse to
painting "some small portrait groups in landscape settings which are the most lyrical of all English conversation pieces" (Gainsborough, Thomas). Clientele was primarily inclusive of town merchants and neighboring
squires until he relocated in 1759 to Bath, where his new following consisted most prominently of societys upper echelon. The symbiotic relationship that developed between artist and subject allowed
Gainsborough to further develop his trademark "free and elegant mode of painting" (Gainsborough, Thomas). Gainsborough was elected in 1768 to the Royal Academy as a foundation member; in 1774, he
relocated for good to London where he expounded upon techniques he learned while at Bath, which included "working with light and rapid brush-strokes and delicate and evanescent colors" (Gainsborough, Thomas).
Most impressed by his eye for delicate detail and an aristocratic approach was the royal sect, who quite openly bestowed their appreciation of his work. II. MARY "PERDITA"
ROBINSON "Perdita" Robinson represents one of Gainsboroughs most popular and scandalous artistic works, who, through a series of difficulties and misunderstandings, was
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