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Essay / Research Paper Abstract
This 14 page paper relates some of the central views of El Lissitzky, also known as the father of modern graphic design. No single figure has played a more significant role in the remarkable construction of the graphic design profession than El Lissitzky. Bibliography lists 15 sources.
Page Count:
14 pages (~225 words per page)
File: MH11_MHLissit.rtf
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Unformatted sample text from the term paper:
the letterpress typography in graphic design. It can be argued that El Lissitzkys influence was not only important to 20th century graphic design, but also influenced the way in
which 21st century computer graphic design has progressed. In understanding El Lissitzkys influence, it is necessary to understand the basis of graphic design, the underlying principles, and the elements
of typography that were dictated by the premises of El Lissitzky. GRAPHIC DESIGN Graphic design can be defined as the "visual representation of an idea or concept"
(Graphic Design Dictionary, 2003). Essentially graphic design is a collective name that references all activities related to visual design elements. In the past, graphic design related to typography,
visual composition, and the use of light and dark as elements of design. In the modern era, these elements are also incorporated into all the other activities related to
visual design, including logo design, web design and other technological methods for design development. The purpose of graphic design, then, is to integrate artistry as a means of presenting
a specific message. Graphic design is the tool through which an individuals message is conveyed, and the purpose of graphic design is the adequate and accurate conveyance of the
artists message. The graphic design thought process in general is one that is defined by many of the same principles that are used in art and drawing. Graphic
design is as much about structure as it is about artistry, and the use of particular elements, including the introduction of light and the use of structural factors that support
the introduction of light, are clearly a part of most designs. Elements of drawing, from the use of negative space to the development of grid structures relate to the
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