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Essay / Research Paper Abstract
This 11 page paper examines the significant role that death played in the photographic philosophy of Roland Barthes. Many specific examples are provided and much reference is made to Barthes' infamous, "Camera Lucida". Bibliography lists 7 sources.
Page Count:
11 pages (~225 words per page)
File: D0_GSBarthe.rtf
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Unformatted sample text from the term paper:
believed that death was influential because it allowed the photographic image to capture one moment in time, thus actually affirming life. Barthes philosophy was explained in great detail in
his notable work, Camera Lucida. Roland Barthes was a man passionate about life and known for his keen observances about everything
from society, to politics, to photography, and more. He was a noted French philosopher and a well-respected writer on a variety of topics as well. His last and
arguably most infamous book, Camera Lucida, details his beliefs and philosophies about photography. For Barthes, death was a very instrumental component of photography, and his philosophies in this regard
were very much inspired by the associations he made between photography and the death of his mother. For Barthes, there was
an intrinsic relationship between the viewer of the photograph and what was absent from the photograph (Barthes, 1982). In other words, Barthes believed photography was just as much a
study of what isnt there, as what is (Barthes, 1982). Early in 1977 during a radio interview Roland Barthes gave
a preview of what was to become a major theme in Camera Lucida: In the final analysis, what I really find fascinating about photographs, and they do fascinate me,
is something that probably has to do with death. Perhaps its an interest that is tinged with necrophilia, to be honest, a fascination with what has died but is represented
as wanting to be alive (Albergate, 2004). Barthes believed that in studying pictures, he was considering what presumably had once been.
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