Here is the synopsis of our sample research paper on The Relation Of Documentary Practices To Social Reality. Have the paper e-mailed to you 24/7/365.
Essay / Research Paper Abstract
3 pages in length. Housing Problems from 1935 about the reality of British slums, Triumph of the Will from 1934 long interpreted as propaganda for Hitler's reign and The Plough that Broke the Plains from 1936 that chronicles the detrimental impact soil erosion had upon the creation of dust bowls during the Depression all illustrate how documentary television is instrumental in providing insightful and extraordinarily enlightening accounts of both an historical and personal nature. Bibliography lists 3 sources.
Page Count:
3 pages (~225 words per page)
File: LM1_TLCDocuReal.rtf
Buy This Term Paper »
Unformatted sample text from the term paper:
and The Plough that Broke the Plains from 1936 that chronicles the detrimental impact soil erosion had upon the creation of dust bowls during the Depression all illustrate how documentary
television is instrumental in providing insightful and extraordinarily enlightening accounts of both an historical and personal nature. It has been the connection between civilization past and present, utilizing actual
and imagined events as a means by which to convey myriad emotions, facts and sometimes just pure anecdotal remembrances. When one studies the various aspects of documentary television as
it relates to social reality, several key elements come to mind with regard to the way any given series might be compiled and broadcast. Among them is the concept
of pro-filmic and pro-filmic convention, narrative versus fiction, subjects versus characters; and mythic narratives versus mimetic narratives. Documentaries - defined as "a distinctive
and readily identified species" (Williamson, 2005, p. 61) - are often assumed to be objective renderings of reality, yet they invariably offer a specific point of view (Aufderheide, 1997).
This point is clearly illustrated, for example, in Leni Riefenstahls film Triumph of the Will, one of the most morally and legally controversial documentaries ever made. Chronicling the 1934
session of Nazi Party Congress, Triumph of the Will has long been interpreted as propaganda for Hitlers reign, which caused it to be banned for more than three decades.
Riefenstahl, who was commissioned by Hitler to cover the events, captured such power and intimidation that her film was feared by all who experienced it, inasmuch as it presented myriad
issues that could not easily be dismissed. For example, was Triumph of the Will truly Nazi propaganda or rather a propaganda film given life by a non-Nazi woman? Indeed,
...