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Essay / Research Paper Abstract
a 4 page paper in which the writer examines a painting of each, Ambrogio Lorenzetti, Leonardo da Vinci, and Raphael Santi, and shows through their depiction of the human body, the progression of visual communications.
Bibliography lists 4 sources.
Page Count:
4 pages (~225 words per page)
File: D0_BBvisualCom.rtf
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Unformatted sample text from the term paper:
picture, right? However such was not always the case. Literacy was one of the key factors to consider in historic visual communication. Because a large part of
the populace of early Europe (c.1250-1400) was unable to read, communication transmitted by the historic Church was through the visual image. Messages
concerning religious history and mans role within that framework were painted on the insides of church buildings. At this period of history the average man may not have
traveled more than fifty miles from his birthplace, and consequently his exposure to the rest of the world was limited. However, his exposure to the world of God was
of prime importance - both to him and to the Church. It was within the literal church walls that this person both heard and saw his role within his
known world. Politics within early Italy played as proportionate a role then as it does now. And the urban centers of the country, known as "city-states", each
with its own customs, dialect and governmental system independently ruled the populace. In fact the country was not united under a central government until the 1860s. Both the
factors of historic Italian citizen within his own environment, and the politics that swirled around him need to be considered in the progression of the visual image within this
time frame. The city state of Sienas wealth of artistic genius may be used to illustrate this concept. The progress of the communicative style of the historic visual
image can easily be seen with the work of Ambrogio Lorenzetti Although church frescos, altarpieces and decorative works reflected the human drama, the actions of these figures
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