Sample Essay on:
The Poetry of Emily Dickinson

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Essay / Research Paper Abstract

A 6 page paper which examines the structure and form of Emily Dickinson’s poetry. Bibliography lists 1 source.

Page Count:

6 pages (~225 words per page)

File: JR7_RAemly.rtf

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Unformatted sample text from the term paper:

secretly produced an enormous canon of poetry while locked in her room and refusing visitor after visitor" (SparkNotes). Interestingly enough, though not surprisingly, "Her personal life and its mysteries have sometimes overshadowed her achievements in poetry and her extraordinary innovations in poetic form, to the dismay of some scholars" (SparkNotes). When examining her poetry, however, one finds that they are quite varied and often lead each reader to a different interpretation. Her poems are energetic, somber, and perhaps sad. Bearing these simplistic realities in mind the following paper examines 10 of her poems. The poems are discussed separately in terms of their diction, rhythm, detail, apostrophe, imagery and arousal of emotion in the reader and the narrator. The poems examined are 216, 223, 239, 248, 249, 435, 712, 754, 976 and 1651. Safe in their Alabaster Chambers (216) In this particular poem we are presented with one whose theme is perhaps unknown or vague. What comes across is a sense of serenity and loss for those who are perhaps untouched by the terrible realities of mankind today, or more specifically, during Dickinsons time. We note that in the opening lines which state "Safe in their Alabaster Chambers --/ Untouched my Morning/ And untouched by Noon --"and in the last line which states the following: "Ah, what sagacity perished here!" (Dickinson 1-3, 11). This is a poem that is obviously possessed of a great many apostrophes, as well as a rhythm that presents the reader with subtle rhymes. In addition, we note that her imagery presents us with pictures of nature as it talks of the morning, the noon, "Babbles" of "bees" and "Sweet Birds" (Dickinson 9, 10). Through her poem she evokes a sense of mourning and regret, while singing the praises of something wondrous. ...

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