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Essay / Research Paper Abstract
15 pages in length. Historical literature encompasses a great number of existential elements that directly relate to existence; indeed, it is not merely a compilation of dates and events, but rather it is also an exploration of humanity's spiritual side. Such is the case with Hermann Hesse's 'Demian,' Franz Kafka's 'The Trial' and Thomas Mann's 'Death In
Venice,' inasmuch as all three literary masterpieces share the common denominator of self-awareness and achieving wholeness. No additional sources cited.
Page Count:
15 pages (~225 words per page)
File: LM1_TLCself.doc
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Unformatted sample text from the term paper:
dates and events, but rather it is also an exploration of humanitys spiritual side. Such is the case with Hermann Hesses Demian, Kafkas Trial and Thomas Manns Death in
Venice, inasmuch as all three literary masterpieces share the common denominator of self-awareness and achieving wholeness. The very process of living life and expanding ones existence has often been
perceived as a rebirth of sorts, with writers taking the concept to an infinitely high level of appreciation. By embracing this inherent - and often esoteric - power, the
reader is able to grasp a significantly better understanding of self-awareness and wholeness. Characteristic of humanitys constant quest for the concept of meaning,
the journey of understanding has come to represent myriad things to myriad people, ultimately rendering any universal explanation virtually impossible. The problem with meaning is attempting to successfully pinpoint
a single yet comprehensive connotation to its concept; however, this cannot be achieved as long as any two individuals harbor decidedly different interpretations. The notion of personhood speaks to
the very nature of what it means to achieve self-awareness and wholeness. To be sure, personhood deals with a much broader concept than humanity, in that it is not
restricted in its understanding. At the very core of personhood is a sense of being. From that single source stems all other qualifications that comprise personhood.
Death is the recurring theme among Thomas Manns Death in Venice, a theme so forceful and perceptive that the reader goes away with a distinctly
different impression from of ones focus of self-awareness and wholeness. Sometimes that understanding is a sense of calm and tranquility -- almost an unrealistic fantasy; other times the sensation
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