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Essay / Research Paper Abstract
A 5 page analysis of Kobo Abe’s play The Man Who Turned Into a Stick as it relates to Aristotle’s Poetics. Bibliography lists 5 sources.
Page Count:
5 pages (~225 words per page)
File: JR7_RAstick.rtf
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Unformatted sample text from the term paper:
intrigued and powerfully entertained many people. According to one author, who quotes another in the beginning of their novel, "There are Japanese souls that have spent the last few decades
pondering him" and yet he is perhaps too unique and intricate to completely comprehend, as is often the case with many authors or artists who have passed (Shekerjian). The following
paper provides a tutorial analysis of Kobo Abes play The Man Who Turned Into a Stick as it relates to Aristotles Poetics. The Man Who Turned Into a Stick
by Kobo Abe Aristotle wrote that "every play contains Spectacular elements as well as Character, Plot, Diction, Song, and Thought" (Aristotle Part VI). In relationship to spectacular elements one can
see that he indicates these are elements that primarily seem to be related to "the art of the stage machinist" rather "than on that of the poet" (Aristotle VI). From
the perspective of another individual, summarizing Aristotle perspective of the six elements to drama, 3 are ntoed in the following: "PLOT - what happens in a play; the order of
events, the story as opposed to the theme; what happens rather than what it means. THEME - what the play means as opposed to what happens (plot); the main idea
within the play. CHARACTER - the personality or the part an actor represents in a play; a role played by an actor in a play" (Aristotle). There is the
element of diction, or language which also involves dialogue and in this element it is important that word choices are made well, and that the actors are able to enunciate
and deliver the lines accurately (Aristotle). Music is also important, but when speaking of what Aristotle meant it was not just music but the rhythm as well in relationship to
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