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Essay / Research Paper Abstract
This 8 page paper considers how significant the influence of Japanese art on the Impressionist artists. The writer considers this in general terms, such as style content and in the context of influences before looking at more specific examples looking at Degas and Monet in more detail. Other artists considered include van Gough, Gauguin and Bonnard. The bibliography cites 7 sources.
Page Count:
8 pages (~225 words per page)
File: TS14_TEimpsjp.rtf
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Unformatted sample text from the term paper:
impressionist can be seen as a rebellious group, seeking new inspirations and influences outside of the more traditional ideas of art. One of the most notable influences on this
school of art was the influence of Japanese art, which is apparent in both content and style of impressionist work. The impressionists lived in Paris during the nineteenth century in
Paris. They interacted with each other and found a common interest. One of the most obvious departures from convention art of the time was in the style they adopted. The
style until this time had been to paint detail, fine brushstrokes hardly visible to the naked eye, landscape paintings were sketched outside and then painted in the studio. The style
of the impressionists was different, the detail was not as important as the feeling of work, the vibrancy and life within it, as such brushstrokes were rougher and usually visible,
even think and obvious daubs of paint or blocks of colour may be used as well as the colours being more vibrant than the impressionists traditional counterparts. This new style
was so different that it was shocking to the public and rejected by the establishment, hence the rebellion against the Salon. In Paris during the nineteenth century for an artist
to be accepted and gain success it was necessary for their world to be accepted for the Salon exhibition, which took place for one month every year in Paris. The
impressionist painters would put forward painting, but there were turned down every year, a few were accepted, but when exhibited they were in obscure positions. However, in 1874 an independent
exhibition was put on by the Impressionist, it was not a success, only 3,500 people attended, compared with the 450,000 that attended the Salon exhibition, and there work was not
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