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Essay / Research Paper Abstract
A 7 page paper which expresses an appreciation for the director as a cinematic artist, considering some of his most memorable films and examining the distinctive touches that transformed them into screen classics. Bibliography lists 8 sources.
Page Count:
7 pages (~225 words per page)
File: TG15_TGhitchck.rtf
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Unformatted sample text from the term paper:
alone can sell a film and very often save it from an otherwise bad box-office" (Harris and Lasky 16). There can be little doubt that Alfred Hitchcock was one
of the foremost cinematic geniuses of the twentieth century. He not only understood the subtle nuances of film technique, such as the importance of cinematography, sound and editing, but
even more importantly, he understood the human psyche. He has long held the title "Master of Suspense," and while few directors have rivaled him, none have surpassed him.
His unique blending of mystery, suspense, dark comedy and horror have inspired an entire genre of films that can tell potential audiences what they can expect with just a single
adjective, "Hitchcockian" (ONeill 310). He was what the French refer to as an auteur, which means that even though he may not have composed the screenplay, there is no
doubt that he is the "author" of the production (Harris and Lasky 16). It is his distinctive imprint alone that remains on the completed film, which makes it synonymous
with the man whose vision gave it life. Born in London in 1899, Hitchcock began his cinematic apprenticeship working for British studios -
working first as an artist, set designer and directors assistant before finally taking his position in the directors chair - but his influences have a decidedly international flavor (ONeill 310).
Hitchcock was fascinated by the Soviet filmmakers use of montage sequences, which were prominently featured in many of his later films, and also admired the German expressionists like Fritz
Lang, who delighted in using symbolism to convey his messages and in distorting reality by preying on an individuals hopes and fears. Hitchcock was obviously also a student of
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