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Essay / Research Paper Abstract
This 5 page report discusses the 1977 movie “Annie Hall,” directed by and Woody Allen and starring Allen and Diane Keaton. The audience knows with a sad sense of finality (and cynicism) that the love affair of the story is doomed from its beginning but that does not mean that it need not be a very funny process to reach that ending. The movie also celebrates the neuroses that make people unique and that serve as the quirks that are first enchanting to a love interest and then painfully annoying. Bibliography lists 2 sources.
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5 pages (~225 words per page)
File: D0_BWdoomAH.rtf
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Hall." And yet that character carries with her a certain sweetness and naivet? that is reminiscent of the romances of decades, even centuries earlier in its hesitation and vulnerability.
As such, a viewer finds that they want the relationship to "work" just as they want to see a couple find the mythical land of Happily-Ever-After. Of course,
the audience also knows with a sad sense of finality (and cynicism) that it never can and the love affair of the story is doomed from its beginning. The ways
that events and personal relationships unfold in the movie reflects the most deep-seated fears of the main characters, Annie and Alvy (Woody Allen), but touches everyone else, in the movie
and in the audience. Regardless of how well adjusted and self-confident a person may be, he or she is certain to have had some experience of the neurotic fearfulness about
loving another a person, the nervousness, that is personified throughout "Annie Hall." As a result, it is exceedingly easy to identify with the characters and their situations and to
feel both sympathy and identify with the situations they face. Woody Allens Vision of Romance It is worth noting that the romantic comedy has been a staple of American movies
since movies were first created. There is an undeniable connection that exists between the foibles of falling in and out of love that serves to create an atmosphere in
which an audience member will inwardly sigh with the memory or hope of similar experiences. The best of Woody Allens movies capture that duality and rather gently makes fun
of it. There is always a touch of cynicism in Allens portrayal of romance. Even though it sometimes is a bit "over the top" in his movies, it still
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