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Essay / Research Paper Abstract
4 pages in length. Designers Harrison, Abramovitz and Abbe envisioned a modernistic building with an international flair when they set out to create the Corning Glass Building in New York City. Originally dubbed the Steuben Building for its original owner, the Fifth Avenue structure ultimately came to represent a significant transition that would eventually influence the very foundation of architectural design from that point forward. Europe had introduced the international style upon which the Corning Glass Building was constructed, lending an entirely diverse image to the brownstone that had heretofore epitomized a New York skyscraper. No bibliography.
Page Count:
4 pages (~225 words per page)
File: LM1_TLCCorning.rtf
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Unformatted sample text from the term paper:
Originally dubbed the Steuben Building for its original owner, the Fifth Avenue structure ultimately came to represent a significant transition that would eventually influence the very foundation of architectural design
from that point forward. Europe had introduced the international style upon which the Corning Glass Building was constructed, lending an entirely diverse image to the brownstone that had heretofore
epitomized a New York skyscraper. The severity of this glass and limestone structure was such a major departure from the staunchly sedate style of architectural motif that had occupied the
district for the previous forty years that its mineral and Pyrex walls were either enthusiastically embraced as the new vision in structural design or vehemently disliked from a traditionalists perspective.
No matter which side of the proverbial fence people were on, there was no contesting the fact that such innovation served to set a brand new precedent that was
originally inspired by the Lever Building. Nearly four thousand glass blocks comprise the exterior panels of the Corning Building compared to the spatial composition of just one-quarter the ratio of
limestone, a telltale change in conventional configuration that immediately placed it within the stylization of its international influence. Traditionally speaking, limestone made up the vast majority of a skyscrapers
outer structure with glass serving only as a compulsory component that equaled but a fourth of the entire fusion. The Corning Glass Building took this modification even further by
installing glass blocks onto the inside partitions as a means by which to illustrate the overpowering impression given off by such an immense measure of spatial composition. These glass
curtain walls, as they had come to be called, ultimately transformed what was to ultimately epitomize a standard wall and changed it into a work of art that, in turn,
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