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The Concept of Love in the Poetry of Garcilaso de la Vega

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A 7 page paper which examines the concept of love in the poetry of the Spanish writer Garcilaso de la Vega. Bibliography lists 7 sources.

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7 pages (~225 words per page)

File: JR7_RAvegapt.rtf

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powerful aristocratic family" (Anonymous Garcilasos Life and Works gdlv-6.htm). He was born during a time when poetry in the Spanish world was beginning to change, as one author notes: "At the beginning of the 16th century, Spanish poetry found itself in a time of change. Poets of the Castilian tongue knew a great deal of the Italian poetry of that time, but few - among them the Marquis of Santillana - dared to copy their original form" (Rosado i_garcilaso.htm). As Vega grew he entered into this world of poetry, as well as the world of the military, changing the Spanish poetry with a focus on love and Italian structure. In the following paper we examine Vegas focus on love in his poetry. Garcilaso de la Vega and Love It is often noted that "From the first moment, Garcilaso de la Vega (1501-1536) shone as a true master of Italianised Spanish poetry. Within half a century of his works being published, his poems had been remarked upon by prestigious authors like, Francisco S?nchez de las Brozas - el Brocense - and Fernando de Herrera" And, throughout the "Spanish Gold Centuries, there was not to be a poet who would write without taking his works into account. These use love as the vital key, where one sings to their beloved in life and after death, supporting themselves within a delicate and austere scenic frame, and in opportune mythological references" (Rosado i_garcilaso.htm). He was at the forefront of what is known as the Golden Age. "At the start of this period the poet Garcilaso de la Vega, stimulated by the work of Juan Bosc?n Almog?ver, succeeded in mastering the meter and essence of Italian verse and in acclimating it to the Spanish spirit, thus revolutionizing Spanish poetry" (Anonymous The Renaissance ...

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