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Essay / Research Paper Abstract
5 pages in length. Chinese calligraphy has its roots within ancient hieroglyphics, which – over the long ages of evolution – became quite diversified in both style and application, ultimately reflecting an important part of the heritage of national culture. Indeed, the art of Chinese calligraphy exists not only within the actual writing, but also represents a collective effort of emotional, spiritual and cultural function. The artistic element of Chinese calligraphy is critically important to its overall outcome, inasmuch as painting and writing have long been equally regarded throughout Chinese history. Bibliography lists 2 sources.
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5 pages (~225 words per page)
File: LM1_TLCcalig.rtf
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heritage of national culture" (Calligraphy). Indeed, the art of Chinese calligraphy exists not only within the actual writing, but also represents a collective effort of emotional, spiritual and cultural
function. The artistic element of Chinese calligraphy is critically important to its overall outcome, inasmuch as painting and writing have long been equally regarded throughout Chinese history. These
ancient scripts are typically separated into five distinct classifications: 1. the seal character (zhuan) 2. the official or clerical script (li) 3. the regular script (kai) 4. the running
hand (xing) 5. the cursive hand (cao) (Calligraphy) Developed during the Qing Dynasty, the zhuan script dates back the longest of all
five scripts, originating subsequent to the oracle inscriptions. It is suspected that zhuan script came into existence due to the oracles significantly irregular patterns and overabundance of characters that
followed no particular form. This effort toward unification is said to have commenced during King Xuans rule of the Western Zhou Dynasty when his grand historian, Shi Zhou, assembled
a fifteen-chapter lexicon that employed zhuan as a means by which to standardize Chinese writing. Seal characterization is this scripts primary use and is known as the curly script
for the form it adopts after each stroke (Calligraphy). Emperor Qin Shi Huang modified ancient zhuan quite significantly when in 221 B.C., he ordered Prime Minister Li Si to "collect
and sort out all the different systems of writing hitherto prevalent in different parts of the country in a great effort to unify the written language under one system" (Calligraphy).
This operation, which was under the umbrella of establishing China under a single, unified government, was basically an all-out effort to simplify ancient zhuan script. These historic changes
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