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Essay / Research Paper Abstract
7 pages in length. Technology plays a significant role in virtually every nuance of contemporary society; however, one might not necessarily associate such technological advancement with the film industry. Even as far back as early twentieth century, the rumblings of technology were present – albeit ever so slightly in some cases – that ultimately set precedent for bigger, more grandiose technological progression to follow. Such films as the 1948 version of MacBeth, Saboteur (1942), 1950's Sunset Boulevard, And Then There Were None from 1945, School for Scandal (1930), and 1957's Oedipus Rex exemplify the extent to which movie technology has held an important place in film history. Bibliography lists 3 sources.
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7 pages (~225 words per page)
File: LM1_TLCTchFm.rtf
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Unformatted sample text from the term paper:
century, the rumblings of technology were present - albeit ever so slightly in some cases - that ultimately set precedent for bigger, more grandiose technological progression to follow. Such
films as the 1948 version of MacBeth, Saboteur (1942), 1950s Sunset Boulevard, And Then There Were None from 1945, School for Scandal (1930), and 1957s Oedipus Rex exemplify the extent
to which movie technology has held an important place in film history. II. TECHNOLOGY IN FILM MAKING When one uses the term technology in relation to early film making,
it is not applied with the same definition that is bestowed upon typical technological breakthroughs; rather, technology in movies relates to the changing appearance and approach of how the film
is actually constructed, which clearly illustrates how technology maintains a critical role in the development of well-made plots within different media. The 1948 version of MacBeth was directed by one
of the film industrys most innovative minds: Orson Welles. His ability to step away from the norm and infiltrate ingenious ideas that expound upon the films original intent is
what has forever etched his talent into movie making history. Welles utilization of light - or rather the limitation of such use - is what was considered quite unique
for the figuratively dark production. Adding literal darkness to MacBeth was the directors way to improve upon the overall seclusion that the film was to emit; employing such technological
application enabled Welles to portray his protagonist in a completely different perspective from all other films that had heretofore depicted the tragic hero. "I will not yield, to kiss
the ground before young Malcolms feet, and to be baited with the rabbles curse. Though Birnam wood be come to Dunsinane, and thou opposed, being of no woman born;
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