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THE MAN WHO WASN'T THERE:AN ANALYSIS

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Essay / Research Paper Abstract

This 5 page paper discusses elements with respect to narrative and style. Examples are provided using one scene form the movie and discusses technical aspects such as composition, camera angle, lighting, editing, and characterization. Bibliography lists 6 MLA sources.

Page Count:

5 pages (~225 words per page)

File: D0_Mbmnwho.rtf

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Unformatted sample text from the term paper:

beverages? It can be argued that several things, all working in tandem, go into creating a successful venture, both in a literary sense and financially. Form, substance, characters that an audience can identify with and can support, as well as a knowledgeable production crew, can, it could be said, to make or break a shows possibility for life. This film is shot completely in black and white, though once ones eyes adjust to the lack of color, the color of the language and richness of the texture of the plot grip the viewer from beginning to end and it is easy to see why this movie has won numerous awards, with best director going to Joel, one half of the Coen brothers writing team. This is a thriller involving blackmail and betrayal and a bit of dry humor thrown in. This make or break combination can be seen as part of the larger, overall picture, but can also be broken down and elements shown in the microcosm of a single scene. The movie, The Man Who Wasnt There, a Cannes Film Festival Award Winner, was released in May of 2001 is set in a post-war time in California. Blackmail, is the catalyst that initially propels the story forward, in that Ed Crane is sure that his wife is having an affair with her boss. Banking on the surety of his assumption, he sends the boss an anonymous blackmail letter, and hopes to make enough money to start his own business. Things compound themselves until murder is committed and Cranes life begins to unravel before his own eyes. One of the elements, since it was shot in black and white, that became more significant were the cinematography. Noted cinematographer, Roger Deakins, managed to balance the drama ...

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