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Essay / Research Paper Abstract
A 10 page paper which examines how the Spanish Baroque and Rococo architectural styles influenced the Spanish Baroque and Rococo interiors. Bibliography lists 9 sources.
Page Count:
10 pages (~225 words per page)
File: JR7_RArnroc.rtf
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Unformatted sample text from the term paper:
somewhat incomplete if one does not address the interior of the buildings as well. One can see this in ancient architecture as the exterior reflected the purpose and design of
the interior in many Greek and Roman structures. In essence, through the history of architectural design, interior design has been a very deeply connected aspect of architecture.
During the Baroque period of artistic endeavors architecture and interior design began to clearly stray from previous forms of structural design, such as the Renaissance,
as architecture and interior design, including paintings and independent sculptures, truly became part of one whole. And, with the Rococo style that flowed along with, and also out of the
Baroque, this connection and interrelationship became even stronger and more predominant, especially in Spain. With these perspectives in mind the following paper examines the Baroque and Rococo periods of architecture
in Spain, as well as the Spanish New World (Mexico) as they also related to interior design and the development of the styles themselves which combined architecture and interior design.
The paper examines the styles and then examines various structures and the elements within those structures. Spanish Baroque and Rococo: Architecture and Interiors
In many ways the terms Baroque and Rococo can be interchangeable as "Baroque and late Baroque, or Rococo, are loosely defined terms, applied by common consent to European
art of the period from the early 17th century to the mid-18th century" (Baroque Main Page: The Early and High Baroque In Italy, 2006). In Spain both styles developed specifically
to Spain as the architects essentially began "abandoning the unique plan for the cathedrals facades (Cathedral of Valence), and by accumulating ornaments in an original way" and thus broke from
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