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Essay / Research Paper Abstract
A 6 page research paper/essay that discusses the use of sound in Citizen Kane (1941, directed by Orson Welles) and Pulp Fiction (1994, directed by Quentin Tarantino). Bibliography lists 3 sources.
Page Count:
6 pages (~225 words per page)
File: KL9_khkanepulp.doc
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Unformatted sample text from the term paper:
listed below. Citation styles constantly change, and these examples may not contain the most recent updates. Sound in Pulp Fiction and Citizen
Kane Research Compiled By - properly! The importance of sound
in film can be understood by watching a scene from a film without the sound track. With no sound, the images, no matter how well they are photographed or edited,
lose their ability to convey a sense of reality, and, therefore, also lose much of their impact on the viewer. Additionally, the pace of the film seems to be slower,
almost to the point where the effect is the same as watching a series of still photographs. As this suggests, the role of sound in film encompasses much more
than simply the addition of music and the spoken dialogue, as it encompasses all of the sounds that are associated with the image on screen, such as the sound of
footsteps as someone walks down a corridor or the traffic noises and tire squeals that occur during a car chase. This topic also encompasses the use of silence. The
following discussion of the role of sound in movies will focus on two films: Citizen Kane (1941, directed by Orson Welles) and Pulp Fiction (1994, directed by Quentin Tarantino). This
investigation will specifically address the characteristic relationships between sound an image in each film, as well as the principal historical influences shaping the design of the sound track and how
the sound works to express the meaning of scenes, exciting an emotional response from the audience. Lastly, the investigation will address how sound is integrated into the overall style and
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