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Essay / Research Paper Abstract
A 3 page research paper that offers an overview of the National Museum of African Aft (NMAFA), the setup of the website and its description of the collection. No other sources cited
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3 pages (~225 words per page)
File: KL9_khnmafa1.rtf
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is integrated into the fabric of everyday life. The NFAFA collection offers a comprehensive overview of the scope of African art over an extended time period, that is, from ancient
Africa through to the present. Representative art works include ceramics, textiles, furniture and tools," as well as "masks, figures, and musical instruments" (NMAFA). Additionally, the arts of "painting, printmaking, sculpture
and other media" are also part of this collection, which showcases the works of living artists, who have translated their rich African heritage into modern artistic idioms (NMAFA). The
website heading "The Diversity of African Art" offers the access to African art works, using two major categories: tradition-based arts and modern and contemporary art. The tradition-based arts are those
that have utilitarian purposes, either within the context of everyday life or else within ceremonial rituals that address both individual and community needs (NMAFA). The primary subjects of traditional
art forms are humans and animals, and both desirable and undesirable traits are depicted (NMAFA). Exploring this section, which is done by clicking on one of various icons, the
viewer gains access to such fascinating subcategories as "paintings," which in this case shows two-dimensional painting from Ethiopia in the Ethiopian Orthodox style. The first religious icon in
this series, while painted in the late nineteenth century, looks very much as if it were from the Byzantine era. The site gives the viewer access to 120 ceremonial masks
that range in style from the simplistic to the strikingly elegant and complex. Works of contemporary African art demonstrate the innovative and creative vision of these artists, as they
address both African and global audiences, which includes the struggles associated with post-colonial identity (NMAFA). Here again, the variety of the works in the collection is remarkable. For example, there
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