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Essay / Research Paper Abstract
This 5 page report discusses the 1952
movie “Singin’ in the Rain” starring Gene Kelly, Debbie Reynolds,
and Donald O’Connor. The paper considers the various aspects of
the film but focuses on a singular “mise en scène” in which
Reynolds and Kelly dance together on an empty stage against an
artificially created and romantic sunset. Handsome Don takes shy,
yet independent, Kathy on to an empty sound stage and the magic
begins in which an entire mise en scène, in the most classic
sense of both the photographic and the theatrical concept
unfolds. Bibliography lists 2 sources.
Page Count:
5 pages (~225 words per page)
File: D0_BWsingin.rtf
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Unformatted sample text from the term paper:
make movies like that any more." Regardless of the dance sequences, the gentle double meanings in the dialogue, the boy meets girl premise, the fact remains that it is a
classic story and film that includes elements of Cinderella, the Prince and the Pauper, and every great Busby Berkeley musical. Audiences loved the grace and repartee of Gene Kelly and
what still remains on screen five years after his death as a sweet, everyman aspect. Gene Kelly made the audience believe that it was possible for any man, every man,
to be graceful and urbane, just as Debbie Reynolds made the audience believe that there was a Gene Kelly waiting for her at the next audition. It almost goes without
saying that as movies have evolved over the past forty-fifty years, they have proven themselves as a unique art form that serves as one of the best expressions of the
modern world. Movies have expanded an enormous part of humanitys awareness of other nations, other problems, as well as political consciousness. A good film is successful because it
works as art, as well as entertainment or storytelling. According to Solomon (1976), the key to understanding the artistic characteristics of any movie as well as the larger aspect
of film defined as art is to understand its relationship and associations between the unique elements of which it is made. The conventions and traditions in which a movie
is created are only the framework for the larger piece of art that has been crafted. "Singin in the Rain" serves as an excellent model in terms of how the
larger piece of art is crafted from a multiplicity of elements. Mise-en-sc?ne The concept of "mise en sc?ne" is essentially a term originally borrowed from theater (like much
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