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Essay / Research Paper Abstract
This 7 page paper looks at the influences of Jacques Louis David and Jean Jacques Rousseau. David was a painter and Rousseau a philosopher. David's The Lictors Bring to Brutus the Bodies of His Sons is used to explore the painter's philosophy and Rousseau's Social Contract Theory is discussed as well. Bibliography lists 3 sources.
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7 pages (~225 words per page)
File: RT13_SA219JLD1.rtf
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Brutus the Bodies of His Sons ("The Lictors," 2002). He led the fight which actually overthrew the monarchy and then established the Roman Republic and Brutus tragically saw that his
own sons would participate to restore it (2002). As a judge, he had been called to provide a verdict, and he immediately condemned his own boys to death (2002).
In 1789, Davids attention to the subject proved very controversial and it also reveals how seriously committed the artist had been to the new ideas as well as
enlightenment principals ("The Lictors," 2002). Had the revolution not occurred, the picture would likely never have been exhibited publicly (2002). In the exciting days to follow the fall of
the bastille, Davids picture had been seen as a republican manifesto, and significantly highlighted Davids reputation (2002). The pictures influence was felt right away and in a variety of
ways, inclusive of fashion (2002). Indeed, right after the painting was unveiled, fashion returned to a time when hair without powder would be fashionable and corsets would be
banished (2002). It is said that artistically at least, David was able to maintain his effect with the use of subordination of color to drawing (2002). The economy of
statement had been seen to be in line with keeping with the new severity of taste (2002). In paying attention to the notion of duty to the
state, one can see that with the history of this work, that is certainly apparent. David meant to create such a message despite the fact that he despised those who
were in power at the time. The notion of duty to state is exemplified in the painting itself through the arrangement of figures, through the use of lighting and also
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