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Essay / Research Paper Abstract
5 pages in length. Shakespeare is just as manipulative in his comedic style as other playwrights are in their tragedies; however, the primary difference between the two is that Shakespeare presents such seemingly tragic events as being overblown and ridiculous, which encourages the audience to laugh both at and with the plot. As well, Shakespearean drama is often seen as quiet and pastoral; there is however, another side of his work: dealing with conflict between human beings. These collective elements of Shakespearean drama are particularly evident in A Midsummer Night's Dream, where presentation of the Athenian court in Act I and the world of the fairies in Act II clearly illustrates the extent to which Shakespeare addresses social, historical, cultural content. No bibliography.
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5 pages (~225 words per page)
File: LM1_TLCMdSum.rtf
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Unformatted sample text from the term paper:
seemingly tragic events as being overblown and ridiculous, which encourages the audience to laugh both at and with the plot. As well, Shakespearean drama is often seen as quiet
and pastoral; there is however, another side of his work: dealing with conflict between human beings. These collective elements of Shakespearean drama are particularly evident in A Midsummer Nights
Dream, where presentation of the Athenian court in Act I and the world of the fairies in Act II clearly illustrates the extent to which Shakespeare addresses social, historical, cultural
content. Defining these particular concepts calls for ones close interpretation as to the protagonists true representation in the context of A Midsummer Nights
Dream, with specific attention to the plays patriarchal content. When assessing the integral components that comprise Shakespeares dramatic manipulation, it is important for the student to determine just how
the use of camouflaged character encourages the audience to look much deeper than just the words surface as a means by which to fully ascertain the appearances of reality in
the Athenian court and world of the fairies. Shakespearean drama is always representational of joint interaction, inasmuch as social interaction implies interacting with
other persons; thus, the meaning of that interaction is always to be a joint or collective accomplishment. Impression management represents a significant component of joint relationship interaction; personal description
is not just an individuals presentation of his or her own self-image, but rather the means by which another accepts that image as reality. Therefore, if human interaction is
considered to always represent joint interaction, then one can readily surmise that such logical deduction implies that consequences of interaction must also be jointly accomplished, as well.
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