Sample Essay on:
Scorsese's "Who's That Knocking At My Door" And "Mean Streets" - Brief Analysis

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Essay / Research Paper Abstract

11 pages in length. Martin Scorsese holds a place in filmmaking history where very few directors/writers/actors reside, inasmuch as he has successfully tapped into a combination of perceptions to provide a unique insight into the relationships that exist between and among good, evil, humanity and the absence of spiritual sense, a contingent concept when addressing greater meanings associated with such films as Mean Streets and Who's That Knocking At My Door. Annotated bibliography lists 10 sources.

Page Count:

11 pages (~225 words per page)

File: LM1_TLCScorsese.rtf

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Unformatted sample text from the term paper:

to provide a unique insight into the relationships that exist between and among good, evil, humanity and the absence of spiritual sense, a contingent concept when addressing greater meanings associated with such films as Mean Streets and Whos That Knocking At My Door. II. MEAN STREETS - SETTING Instrumental to the visual image of setting portrayed by Hollywood movies is the perception of its director. Martin Scorsese has become one of the most revered directors of all time, firmly planting his creative feet within the muddiness of New York Citys reputation. Scorsese has long harbored an intense fascination with gangsters; as a native himself, it was a natural progression for the Hollywood director to utilize New York City for nearly all of his exploitive productions. Mean Streets proved to magnify the level of disrespect people of New York City are supposed to harbor toward the rest of their community. Power - and all the ill will it attracts - is key to Scorseses film Mean Streets and how it directly relates to the image of New York City. Some of the worlds most critical business transactions occur within the city limits, not to mention the fact that some of the wealthiest people choose to hang their hats in the tallest and most expensive apartment complexes. There is an inconceivable amount of power surging through New York City from all angles, and small-time hoods represent a considerable portion of it. The director, himself, recognizes the intoxicating affect of combining drugs, violence, corruption and New York City all neatly tied together in a perfect ball. "Scorsese has emphasized that for a man on a mission, especially a holy mission, the ...

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