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Essay / Research Paper Abstract
(5 pp) "Fuller says that film is all about
emotion," says Adam Simon (1996) "And Sam taught
me if you're not willing to walk away rather than
not do it the way it's supposed to be done then
you'll never do it right." So claims the director,
according to Ramos (1996), who made the only
documentary about Sam Fuller, called, The
Typewriter, The Rifle and The Movie Camera. Simon
adds, "I think he may be the most indirectly
influential director of his time and yet he's
probably the least known of the directors of his
time." Bibliography lists 2 sources.
Page Count:
5 pages (~225 words per page)
File: D0_BBfuller.doc
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made the only documentary about Sam Fuller, called, The Typewriter, The Rifle and The Movie Camera. Simon adds, "I think he may be the most indirectly influential director of his
time and yet hes probably the least known of the directors of his time." Bibliography lists 2 sources. BBfuller.doc SAMUEL FULLER: Maverick Film Director
Written by B. Bryan Babcock for the Paperstore, Inc., February 2001 Introduction "Fuller says that
film is all about emotion," says Adam Simon (1996) "And Sam taught me if youre not willing to walk away rather than not do it the way its supposed to
be done then youll never do it right." So claims the director, according to Ramos (1996), who made the only documentary about Sam Fuller, called, The Typewriter, The Rifle
and The Movie Camera. Simon adds, "I think he may be the most indirectly influential director of his time and yet hes probably the least known of the directors of
his time." Sam Who? (1911-1997) Sam Fuller has had many titles, from "film maverick," to king of the "B" movies to the "Joe McCarthy of films." It has
been said that his films were against anything that he perceived as "anti-American." According to von Busack (1997), after Fuller had given up directing, he had a small
acting part, as a filmmaker, in Jean-Luc Godards Pierrot le Fou- "Film is like a battleground," he says in the film. But apparently he could have said
the same lines, of his own film work of the fifties and sixties. For Fuller, who wrote most of his own screenplays, the natural tension of good theater, or
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