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Essay / Research Paper Abstract
( 10 pp) in 1941, Dalí moved beyond his esoteric,
surrealist style in order to make a more universal
artistic statement. His interest shifted from
personal obsessions to universal themes, and he
became fascinated by religion and modern science .
Dalí summarized this shift by saying that he
intended "to become classic," for, "to be a
Surealist forever is like spending your life
painting nothing but eyes and noses." Dalí looked
back to Classical and Renaissance art for
inspiration, while looking forward to the
scientific discoveries emerging around him in the
1950s. He desired to be the spokesman for the
atomic age, to unite the discoveries of modern
science with religion and mysticism.
Bibliography lists 7 sources.
Bibliography lists 7 sources.
Page Count:
10 pages (~225 words per page)
File: D0_BBdaliC.doc
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Unformatted sample text from the term paper:
for, "to be a Surealist forever is like spending your life painting nothing but eyes and noses." Dal? looked back to Classical and Renaissance art for inspiration, while looking forward
to the scientific discoveries emerging around him in the 1950s. He desired to be the spokesman for the atomic age, to unite the discoveries of modern science with religion and
mysticism. Bibliography lists 7 sources. BBdaliC.doc
SAVADOR DALI: Christian Themes
Written by for the Paperstore, Inc., July 2000 Introduction Originally named Salvador Felipe Jacinto Dali Y Domenech (1904-1989), this Spanish
surrealist painter, because of his works and his personal antics, is now known simply as Dali. According to art historian Bruce Cole( 1989) descriptions of his paintings have
ranged every where from simply weird, to erotic, irrational, and neurotic themes. What is often not noted is that what Dali was attempting to capture is rooted in Christian
themes, brought to life in his symbolistic style of painting. These paintings are characterized by meticulous draftsmanship and realistic detail, with brilliant colors heightened by transparent glazes.
This work also occurred at a later period of his life, when he was re-examining both his work and himself (or at least as much as Dali allowed for his
own self-examination. Classical Influence According to the Salvador Dali Museum web site (2000) information website, in
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