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Essay / Research Paper Abstract
5 pages in length. Throughout the renaissance, patriarchy was responsible for designing women’s role in society; many of these devices used in earlier centuries were related to religion. Certain scripture regularly challenged women to disprove that they were inferior—to not agree was heresy. When religion did not work alone, scientific theory was included as a factor in the equation that supported the ideal that women are inferior. Based on a conviction of inferiority, male authorities were then able to design lifestyles for women, including approved activities, mannerism, education, sexuality and religious pursuits. Contemporary society, however, has witnessed a metamorphosis of gender oppression, clearly demonstrated through popular culture. Bibliography lists 4 sources.
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5 pages (~225 words per page)
File: LM1_TLCrensa.doc
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religion. Certain scripture regularly challenged women to disprove that they were inferior-to not agree was heresy. When religion did not work alone, scientific theory was included as a
factor in the equation that supported the ideal that women are inferior. Based upon a conviction of inferiority, male authorities were then able to design lifestyles for women, including
approved activities, mannerism, education, sexuality and religious pursuits. Contemporary society, however, has witnessed a metamorphosis of gender oppression, clearly demonstrated through popular culture. Margaret L. Kings Women of the
Renaissance is a celebration of gender, with particular emphasis upon issues of feminism and patriarchal control. Indeed, King portrays the early birth of feminism; not only are her writings
a solid reflection of her sentiments but so is the manner in which she reflects renaissance life. It was while writing Women of the Renaissance that King gained significant
insight as to the perceived value of class, gender and social stature, particularly from research about those who did not possess socially and individual freedom: renaissance women. King learned her
craft well and does not hesitate to apply her talent as more of a social statement than one of mere entertainment. Thus is the case with her ongoing assertion
that there was truly no separation of the sexes throughout the renaissance, short of the obvious physical differences; rather, her perpetual argument clearly makes the point that the female gender
-- no matter how seemingly fragile and delicate -- was indeed just as much a strong and self-reliant individual as her socially-accepted male counterpart. Othellos Desdemona represents an example
of such patriarchal control, in that she is portrayed as an innocent virgin who abides by the men in her life. In spite of the fact that Othello may
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