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This is a 4 page paper that provides an overview of the formal analysis of music. Rodrigo's Concierto de Aranjuez provides an instructive example of how formal elements convey thematic ideas. Bibliography lists 2 sources.
Page Count:
4 pages (~225 words per page)
File: KW60_KFmus002.doc
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Unformatted sample text from the term paper:
degree of resentment involved when this happens. However, to adopt such an attitude towards the study of music is to misunderstand the point entirely. Formally contemplating music in a structured
manner is not meant to reduce the fundamental enjoyment of music, but rather to enhance that enjoyment by allowing the listener to understand more about their favorite songs. It is
important to recognize that the formal study of music should in no way detract from the personal enjoyment of listening to music. However, in order to make the most of
formal study, it is sometimes essential to explore musical forms that offer a great deal of technical depth and diversity, such as concert music. Much resistance from students is also
met on these grounds, as concert music is not often their favorite type of music. Nevertheless, by exploring this form of music in depth, it becomes possible for students to
learn more about their particular favorite forms of music, whatever that might be. This paragraph helps the student introduce the work to be analyzed in this paper. In order to
better understand how a formal examination of a passage of music is conducted, one might begin with a work such as Rodrigos "Concierto de Aranjuez", in particular its famed second
movement. This piece is an excellent example of the "concerto" form, a style of concert music which features a soloist accompanied by a range of instruments selected for their respective
timbre and other tonal qualities (Hoffer, 2011). Exploring the "Concierto", or any piece of music for that matter, requires placing it in its context, and one who listens to this
second movement may well be stunned by the melancholic tone of the piece. This can be understood by recognizing that Rodrigo composed the movement during a particularly troublesome period of
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