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Essay / Research Paper Abstract
An 7 page paper
which discusses various aspects of the African American culture as it involves music and
community. "Spectacular Vernaculars" by Russell A. Potter is utilized in terms of
addressing the hip hop and rap community. In addition, Marlon Rigg's documentary style
productions, "Ethnic Notions" and "Black is...Black aint" are discussed as they relate to
Rigg's work. The second half of the paper addresses the Chicago steppers movement,
examining its history and it place between Motown and hip hop. Bibliography lists 2
additional sources.
Page Count:
7 pages (~225 words per page)
File: JR7_RAhiphop.rtf
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Unformatted sample text from the term paper:
remain a force that keeps communities together, create new communities, and give voice to the ideals of a population that is often overlooked, and not heard. In the following paper,
a paper divided into sections, we first address the African American community as it is revealed in Russell A. Potters "Spectacular Vernaculars" and also the documentary productions of Marlon Riggs
titled "Ethnic Notions" and "Black is..Black aint." The second portion of the paper examines the steppers of Chicago, discussing how this movement of dance, as well as music, is somewhere
between Motown and hip hop. Spectacular Vernaculars In "Spectacular Vernaculars" Potter is trying to bridge some sort of gap between the hip hop nation and the academics who
could probably care less about hip hop and its relevancy to the studies of African America culture. Many have argued that his text can be envisioned as speaking truth to
power. We can perhaps see this reality or perspective, in many different ways. We already have an understanding of the fact that Potters book is one which speaks to two
different forces in the country. His book addresses the academics and the hip hop nation. In addressing the two, but primary addressing the academics, he is attempting to communicate the
truths to both sides of the issue. In addition, when we understand that, according to Potter, he attempting "explain to those within [his] profession why hip-hop poetry was, possibly,
the most important development in literature since Wordsworth and Coleridge in 1798," we can see that he envisions the power to be the academics who could quickly dismiss the importance
and the artistic nature of hip hop. In the academic institution we can assume that there are a wealth of individuals who are perhaps putting themselves much higher, socially,
...