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Essay / Research Paper Abstract
A 3 page paper which examines various aspects of
the film “Robert Rauschenberg.” Bibliography lists 1 source.
Page Count:
3 pages (~225 words per page)
File: JR7_RArausch.rtf
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Unformatted sample text from the term paper:
seemed incredibly powerful in terms of expressing something new and astounding. In many ways this was due to the prolific nature of Picasso, who was alive and popular at the
time. Picasso, it seemed, did everything that could possibly be done to a canvas and this left many upcoming artists, such as Rauschenberg, in a difficult position. However, Rauschenberg, and
a few others, managed to find a style that expressed something in a time when almost everything imaginable was being done. The following paper examines aspects of Rauschenberg as seen
in the film about him titled "Man at Work." Robert Rauschenberg Many may wonder why Rauschenberg sees things differently than all other artists of his time. It may not
be that he sees them differently, but more that he was able to express them differently than others. He had the ability to reach outside the canvas to express his
artistic ideals. This does not mean that he actually saw things differently, but was able to express them differently. And, in relationship to the strong possibility that he did see
things differently, this can merely be chalked up to his own unique artistic vision, which all In relationship to what first inspired Rauschenberg, the following critic provides a good
description relating to the film and Rauschenbergs inspiration to become an artist: "as an enlisted man when visiting the Huntington Gallery in Southern California (where he discovered Gainsboroughs Blue Boy
and Lawrences Pinkie and realized they were more than decorations for playing cards). He eventually went off to Paris to absorb the art scene. but then realized he was forty-five
years too late" (Digitally Obsessed.com, 2004). Through this enlightened encounter with art he was given a vision that urged him to express is own artistic ideas and ideals. And, with
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