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Essay / Research Paper Abstract
6 pages in length. Reason and passion are two significant components within the literary world; however, it is not often that the two intersect amidst a singular work. When examining three diverse compositions – such as Matsuo Basho's Narrow Road to the Interior, Moliere's Tartuffe and Sor Juana Inés de la Cruz's Reply to Sor Filotea de la Cruz – the student will gain a much better understanding of just how the elements of reason and passion can establish their own particular literary essence. Bibliography lists 6 sources.
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6 pages (~225 words per page)
File: LM1_TLCRvsP.rtf
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as Matsuo Bashos Narrow Road to the Interior, Molieres Tartuffe and Sor Juana In?s de la Cruzs Reply to Sor Filotea de la Cruz - the student will gain a
much better understanding of just how the elements of reason and passion can establish their own particular literary essence. Molieres passionate approach was
responsible for changing the entire perspective of the open theater. Not only did he challenge the very stability of its content, but he very boldly marched in and said
that tragedy does not have to be sad; rather, it can be presented in a comical atmosphere and still achieve its purpose. Tartuffe tells the tale of a religious
hypocrite "whose promises of Heaven set hellish forces loose in a good mans family" (Molieres Tartuffe), with the plays sarcastic barbs most obviously directed toward mans sometimes-questionable moral objectives.
One might readily consider Moliere as one of Corneilles prot?g?, inasmuch as he based much of his own work upon the influence of Corneilles earlier productions. In essence, Moliere
took what Corneille had started and moved it further along the path of accepted comedy during the reign of King Louis XIV. It is interesting to note, however, that
Molieres inspiration did not come from Corneilles comedic tendencies, but rather upon the playwrights work in French tragedies. He took what was tragic and turned it into comedy while
at the same time maintaining the importance of structure and style, which serves as a critical component of Molieres mastery as a French comedic playwright. "How dare you even
hinder or annoy, When Ive the means to ruin and destroy You should have thought before my toes you trod. Attacking me, you set yourself gainst God!" (Moliere PG).
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