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This 7 page paper discusses Quentin Tarantino’s film “Inglourious Basterds,” including multiple plot lines, cinematography and design. Bibliography lists 5 sources.
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7 pages (~225 words per page)
File: KV32_HV672393.rtf
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listed below. Citation styles constantly change, and these examples may not contain the most recent updates. Quentin Tarantino: Inglourious Basterds
Inc. by K. Von Huben 4/2010 Please Introduction Quentin Tarantino has his own distinctive style that mirrors his quirky vision of
the universe. From the early Reservoir Dogs to the stylish Pulp Fiction, Tarantino has challenged both viewers and the movie industry to look at the medium in a new
way. His 2009 effort, the ultra-violent war film Inglorious Basterds, is a solid hit and every bit a Tarantino film. This paper discusses the film in general as well as
its cinematography and editing. Discussion Tarantino is a director known for his love of film in general. He is knowledgeable about the medium and enjoys paying homage to it
by sometimes filming scenes in a way that resembles works by other directors; or by putting a great many "pop" references in his film. This makes his films very "hip,"
but it can also date them. However, because this film is set in a specific time and place-occupied France in 1944-these are quibbles. Tarantino is also known for telling several
stories simultaneously and bringing the threads together at the last moment to make a coherent whole. This is the structure of Pulp Fiction, in which three separate stories are told
out of order: characters that are killed in one story show up later in the film, because that part of their story hasnt been told yet. At times its best
to just sit back and let Tarantino do his thing and sort it out later. Inglourious Basterds is just such a film: there are possibly three stories running simultaneously: the
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