Here is the synopsis of our sample research paper on ‘Puremovement’: Choreographer Rennie Harris and his Ballet Rome and Jewels. Have the paper e-mailed to you 24/7/365.
Essay / Research Paper Abstract
In nine pages a discussion of the choreographer and an analysis of his interpretation of William Shakespeare’s Romeo and Juliet are presented. Five sources are listed in the bibliography.
Page Count:
9 pages (~225 words per page)
File: TG15_TGrennierj.rtf
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Unformatted sample text from the term paper:
One of hip-hops most eloquent spokesmen is Philadelphia native Rennie Harris, founder of the Puremovement dance synthesis theatrical movement and dance troupe back in 1992. A product of
North Philadelphias mean streets, Harris wanted to turn others on to his passion for hip-hop and break dancing. Having honed his craft while a member of a local b-boy
(colloquial term for a male break dancer) group Scanner Boys, by the time he graduated from high school, Harris traveled across the United States, introducing others to his unique interpretation
of Philly style break dancing (Beletsky, 2008). Collaborating with friends who shared his artistic vision, Puremovement was going to stay true to its hip-hop roots. Harris believes fervently
the combination of rap lyrics and break dancing that could alternate between being fluid and frenetic makes a strong cultural statement about the harsh and violent realities young urban teens
in Philadelphia and elsewhere were confronting on the streets where gangs became extensions of family. According to the choreographer, "When dance is part of your culture, the deep stuff
is just understood" (Beletsky, 2008). Harris and his creative partners traveled to Brazil and to Africa, seeking inspiration and a deeper understanding of hip-hops cultural meaning (Beletsky, 2008). Rennie
Harris returned to Philadelphia with the artistic style that would define his choreography. Incorporating DJs spinning hip-hop and rap tunes to his choreography as both musical and rhythmic accompaniment,
the style and structure are both theatrical and spiritual, which allows the dance to incorporate the technology of modern society with the folk traditions that evolved into hip-hop (Beletsky, 2008).
In his consideration of Rennie Harris and his choreography entitled A hip-hop pioneer pushes the envelope, Lewis Whittington (2007) observed, "Thanks largely to his efforts, the street idioms that
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