Sample Essay on:
‘Provoke Study’: A Paragraph Analysis of Charlotte Perkins Gilman’s “The Yellow Wallpaper”

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Essay / Research Paper Abstract

In three pages this paper presents a microscopic examination of the paragraph beginning with, “It is a big, airy room” in Charlotte Perkins’ Gilman’s short story, “The Yellow Wallpaper.” No additional sources are listed.

Page Count:

3 pages (~225 words per page)

File: TG61_TGcpgyellow.rtf

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Unformatted sample text from the term paper:

in January of 1892, it is believed to be one of the first feminist literary treatises because, through a narrative heavily laden in symbolic language, she describes a desperate and delusional womans battle for liberation from the prison of her unhappy marriage. A reading of one of the storys most famous paragraphs reveals how the protagonists transcendence begins to materialize. Languishing in the bedroom of a remote cottage by her physician husband, the young wife studies the room in which she is confined, searching desperately for a way out of this domestic hell: "It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls. The paint and paper look as if a boys school had used it. It is stripped off--the paper in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin. It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions. The color is repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight" (Gilman, 1985, p. 1150). In this passage, the narrator is immediately creating a spatial argument by emphasizing its largeness. She ...

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