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Essay / Research Paper Abstract
When contracts are written between concert promoters and performing artists, a number of considerations must be assessed in the creation of the contract. Performance riders, fee guarantees, union participation, clauses regarding time constraints, and external riders, including the requirements of vendors or other agents in conjunction with a given performance, may all be included in the development of a performer contract. This 4 page abstract provides an overview of the topic and relates it to the findings in the current literature. Bibliography lists 5 sources.
Page Count:
4 pages (~225 words per page)
File: MH11_MHContMu.rtf
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Unformatted sample text from the term paper:
participation, clauses regarding time constraints, and external riders, including the requirements of vendors or other agents in conjunction with a given performance, may all be included in the development of
a performer contract. In the creation of a performer contract, there are three basic legal concepts that come into play when creating the general elements of the
agreement: good faith, quid pro quo, and breach of contract. When creating a contract, the basic assumption inherent in the development of its contents is that each of
the individuals are entering their agreement in good faith, and that their agreement represents a desire by the participants to define a relationship that is based on a transfer of
monetary gains for a service, in this case, a performance. This transfer of money for the services falls under the concept of quid pro quo, and defines the give
and take of the performer/promoter relationship. Linked to this, then, is also the concept of breach of contract, and the belief that a contract in place protects the interests
of either party of one should break the contract by violating its terms. These legal concepts, though, form the basis for the contract between a performer and
a promoter, but the exact language of a contract can vary significantly. Often times, contracts include language that can define expectations of the performer, needs of the performer, and
requirements by either party for entering into the contractual agreement. Assessing these separate elements, then, provides an interesting basis for considering issues of good faith, quid pro quo and
breach of contract. Performance Riders Performance riders are a central component of the agreements created between performers and promoters. Performance riders outline the information regarding the performance and
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