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Essay / Research Paper Abstract
A 5 page paper which examines the
women present in Pre-Raphaelite art. Bibliography lists 10 sources.
Page Count:
5 pages (~225 words per page)
File: JR7_RAwmnart.rtf
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Unformatted sample text from the term paper:
and romantic women, depicted with a certain mysterious and often somewhat introspective look. At first glance one would seem to feel that the painters truly loved women for whatever the
reason. The truth, however, is that they were obsessed with women and incredibly mesmerized by women, which is, perhaps, a form of love. Bearing that in mind we present the
following paper which examines the obsession for women seen in the Pre-Raphaelite paintings. Women and Pre-Raphaelite Paintings "Pre-Raphaelite art, which arose during Queen Victorias reign, is the most
sensual form of Victorian art to date. The works of Dante Rossetti, John Millais, William Hunt (the Pre-Raphaelite Brotherhood) and followers, such as John William Waterhouse, painted women in all
their voluptuous glory" (Anonymous Pre-Raphaelite Red Satin, 2002; romart.html). It becomes apparent that in understanding the women in the paintings one must understand something of the men who belonged to
the group of Pre-Raphaelites. Interestingly enough, the form of art known as Pre-Raphaelite actually arose out of disagreement: "The painting style was born out of resentment towards Englands formula-driven Royal
Academy teachings. The name, Pre-Raphaelite originally derived from John Millais and William Hunt who did not accept incongruities in Raphaels work, Transfiguration" (Anonymous Pre-Raphaelite Red Satin, 2002; romart.html). Because of
this "a bitter argument" arose "at the Royal Academy, fellow students labeled Millais, Hunt, and anybody else who shared their beliefs, Pre-Raphaelites" (Anonymous Pre-Raphaelite Red Satin, 2002; romart.html). In
addition to understanding the men, one must understand that the art of the time, and prior to the time, was very rigid in regards to women. It was the Victorian
age and women were seen as subtle and powerless. With the arrival of the Pre-Raphaelites women were seen in a very different light as their obsession with the inherent nature
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