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Essay / Research Paper Abstract
This 10 page paper examines the film "Pierrot-le-Fou" which was very controversial. This paper examines many aspects of the film in order to show how it was a work of suversion. Bibliography lists 0 sources.
Page Count:
10 pages (~225 words per page)
File: D0_GSSubver.rtf
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Unformatted sample text from the term paper:
Godard is best known for his contribution to the French New-Wave movement, which consisted of several films and earned him a reputation as a very adventurous filmmaker.
In order to fully understand the impact of Pierrot-le-Fou, it is important to understand something of the director. This is beneficial because
so much of what is notable about the film directly correlates to the life of Godard and his influences. It is because of his personal belief system that Godard
even made such films as Pierot-le-Fou. About the Director The film, Pierrot-le-Fou was directed by Jean-Luc Godard, who is a
film legend, and is most well known for his association to the French New Wave movement of the 1960s (Biography of Jean-Luc Godard, 2002). He is known for taking
many risks and breaking many cinematic rules, and yet audiences have loved him for this diversion (Biography of Jean-Luc Godard, 2002).
Godard was born on December 3, 1930 in Paris (Biography of Jean-Luc Godard, 2002). While he attended the Sorbonne in the late 1940s to pursue an education in
ethnology, he developed an affinity for film which he would then continue to spend his life committed to (Biography of Jean-Luc Godard, 2002). As he initially began to pursue
this interest, his family cut their financial ties with him and Godard was known to live by often stealing food and money as needed (Biography of Jean-Luc Godard, 2002).
As time passed, he began directing short films in France including such titles as, "All the Boys are Named Patrick" and
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